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Das Projekt löste jedoch einen Rechtsstreit aus und die Moschee wurde nach nur zwei Wochen geschlossen, da die Stadtverwaltung behauptete, sie verstoße gegen Gesundheits- und Sicherheitsvorschriften . ©Frank Ossenbrink, mediagroupberlin GmbH mobil 00491724006505 , politikfoto@hotmail.com , www.politikfoto.de, Bankverbindung: Frank Ossenbrink IBAN: DE 77 70017000 9400427530 BIC: PAGMDEM1 PayCenter Bank Steuernummer VAT 37 239/21622 Finanzamt Berlin, EUID DEF1103R.HRB123335Bhttps://inartberlin.com/wp-content/uploads/2024/07/buechel-frank-1.jpgBiennale Venice 202412.06.2024, Italy, Venice, Biennale 2024, TIZIANO. Portrait of Caterina Cornaro (1454-1510) as Saint Catherine of Alexandria.Ein Sprecher der Prada-Stiftung sagte, dass die Organisation die meisten der in der Ausstellung gefundenen Objekte gekauft habe. Einige davon könnten nach Abschluss der Ausstellung in Diamanten verwandelt werden. Büchel hat Erfahrung darin, in Venedig schlagzeilenträchtige Werke zu präsentieren. 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Das Projekt löste jedoch einen Rechtsstreit aus und die Moschee wurde nach nur zwei Wochen geschlossen, da die Stadtverwaltung behauptete, sie verstoße gegen Gesundheits- und Sicherheitsvorschriften . ©Frank Ossenbrink, mediagroupberlin GmbH mobil 00491724006505 , politikfoto@hotmail.com , www.politikfoto.de, Bankverbindung: Frank Ossenbrink IBAN: DE 77 70017000 9400427530 BIC: PAGMDEM1 PayCenter Bank Steuernummer VAT 37 239/21622 Finanzamt Berlin, EUID DEF1103R.HRB123335Bhttps://inartberlin.com/wp-content/uploads/2024/07/christoph-buechel-15.jpgChristoph Büchel (15)https://inartberlin.com/wp-content/uploads/2024/07/buechel-frank-15.jpgBiennale Venice 202412.06.2024, Italy, Venice, Biennale 2024, TIZIANO. Portrait of Caterina Cornaro (1454-1510) as Saint Catherine of Alexandria.Ein Sprecher der Prada-Stiftung sagte, dass die Organisation die meisten der in der Ausstellung gefundenen Objekte gekauft habe. Einige davon könnten nach Abschluss der Ausstellung in Diamanten verwandelt werden. Büchel hat Erfahrung darin, in Venedig schlagzeilenträchtige Werke zu präsentieren. Auf der Biennale von Venedig 2019 zeigte er eine Installation mit dem Titel Barca Nostra , ein Migrantenboot, das nach seiner Kenterung vor der Küste Libyens am 18. April 2015 zu einem tödlichen Symbol der Migrationskrise im Mittelmeer wurde. Schätzungsweise 1.000 Migranten waren an Bord und versuchten, über das Mittelmeer nach Europa zu gelangen; nur 28 überlebten. 2021 wurde das Boot von Venedig in die sizilianische Stadt Augusta zurückgebracht . 2015 verwandelte Büchel als Teil des offiziellen Beitrags Islands zur Biennale in Venedig die entweihte Kirche Santa Maria della Misercordia in Cannaregio in eine voll funktionsfähige Moschee. 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Portrait of Caterina Cornaro (1454-1510) as Saint Catherine of Alexandria.Ein Sprecher der Prada-Stiftung sagte, dass die Organisation die meisten der in der Ausstellung gefundenen Objekte gekauft habe. Einige davon könnten nach Abschluss der Ausstellung in Diamanten verwandelt werden. Büchel hat Erfahrung darin, in Venedig schlagzeilenträchtige Werke zu präsentieren. Auf der Biennale von Venedig 2019 zeigte er eine Installation mit dem Titel Barca Nostra , ein Migrantenboot, das nach seiner Kenterung vor der Küste Libyens am 18. April 2015 zu einem tödlichen Symbol der Migrationskrise im Mittelmeer wurde. Schätzungsweise 1.000 Migranten waren an Bord und versuchten, über das Mittelmeer nach Europa zu gelangen; nur 28 überlebten. 2021 wurde das Boot von Venedig in die sizilianische Stadt Augusta zurückgebracht . 2015 verwandelte Büchel als Teil des offiziellen Beitrags Islands zur Biennale in Venedig die entweihte Kirche Santa Maria della Misercordia in Cannaregio in eine voll funktionsfähige Moschee. 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Weber , Berlin-Freiburg, ©Frank Ossenbrink, mediagroupberlin GmbH mobil 00491724006505 , politikfoto@hotmail.com , www.politikfoto.de, Bankverbindung: Frank Ossenbrink IBAN: DE 77 70017000 9400427530 BIC: PAGMDEM1 PayCenter Bank Steuernummer VAT 37 239/21622 Finanzamt Berlin, EUID DEF1103R.HRB123335Bhttps://inartberlin.com/wp-content/uploads/2023/10/pm9a1259a.jpgBuchmesse 202318.10.2023, Germany, Frankfurt, Buchmesse 2023 mit Partnerland Slowenien, Vorstellung der Buchtitel des Verlag mediagroupberlin INART und Communications aus der Kunstwelt und PV Wissen, Ein Sach und Erklaerbuch zur Photovoltaik von Prof. Eike R. 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content/uploads/2023/09/20230906_121640.jpg20230906_121640https://inartberlin.com/wp-content/uploads/2023/09/20230906_104306.jpg20230906_104306https://inartberlin.com/wp-content/uploads/2023/09/20230906_104315.jpg20230906_104315https://inartberlin.com/wp-content/uploads/2023/09/20230906_103625.jpg20230906_1036252023-09-08T10:34:11+00:00monthlyhttps://inartberlin.com/2023/08/19/chara-von-kris-lemsalu-in-wien/https://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.52-5.jpgwhatsapp-bild-2023-08-17-um-14.12.52-5https://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.13-1.jpgwhatsapp-bild-2023-08-17-um-14.12.13-1https://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.52-4.jpgwhatsapp-bild-2023-08-17-um-14.12.52-4https://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.13.jpgwhatsapp-bild-2023-08-17-um-14.12.13https://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.52-3.jpgwhatsapp-bild-2023-08-17-um-14.12.52-3https://inartberlin.com/wp-content/uploads/2023/08/pm9a1086a-1.jpgKOER Wien 2023 CHARA16.08.2023, Austria, Wien, Graben, KOER, Objekt Chara von Kris Lemsaku Estonia, mit Mag Offergeld KOER, Wie so oft in der künstlerischen Praxis von Kris Lemsalu beginnt die Geschichte eines Kunstwerks in der Sphäre der Freundschaft: Vor etwa zehn Jahren fand eine Freundin der Künstlerin auf einem Waldspaziergang in Estland den Kiefer eines Rentiers und brachte ihn ihr als Geschenk von ihrem Ausflug mit. Aus dem Spiel mit der Form des Kiefers entstand zuerst das Bild eines Herzens, einer Vagina, eines Portals. Kris Lemsalu fertigte eine Gipsform an, goss die Kieferknochen in Porzellan ab, versah sie mit einer Strumpfhose und gestaltete daraus die Arbeit mit dem Titel Aldonza Lorenzo (Abb. 4). Dies ist bekanntlich der wahre Name von Dulcinea, der imaginären Geliebten des Don Quijote, die in Wirklichkeit – und um Wirklichkeit geht es ja in diesem Roman – Haare auf den Zähnen und eine alles durchdringende Stimme hat. Später stieß Lemsalu in einem Buch auf die mythologische Gestalt der Baubo, die in der griechischen Sagenwelt als eine Art weibliche Hofnärrin die Göttin Demeter aufheitern will, welche um ihre Tochter Persephone trauert. Die Scherze der Baubo sind obszön und absurd, einer davon ist das Entblößen der Vulva. Aus dieser Erzählung entwickelte Lemsalu schließlich die Skulptur Baubo Dance (Abb. 5), in der wieder die Rentierkiefer zum Einsatz kommen, diesmal deutlicher als Vulva konnotiert. Nun aber verknüpfte sie das weibliche närrische Element mit einem rituellen Hexentanz um eine Feuerstelle und inszenierte die Kiefer als Vagina dentata (bezahnte Vagina), wie sie in zahlreichen folkloristischen Überlieferungen auf allen Kontinenten immer wieder auftaucht. In der Moderne wurde das Bild zwar von Sigmund Freud als Ausdruck von Kastrationsangst gedeutet, jedoch referiert Lemsalu auf ältere indigene Leseweisen wie die amuletthafte Warnung vor Vergewaltigung oder unstatthafter sexueller Annäherung. Dass die Rentierkiefer nun ein drittes Malhttps://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.17.jpgwhatsapp-bild-2023-08-17-um-14.12.17https://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.52-2.jpgwhatsapp-bild-2023-08-17-um-14.12.52-2https://inartberlin.com/wp-content/uploads/2023/08/pm9a1086a.jpgKOER Wien 2023 CHARA16.08.2023, Austria, Wien, Graben, KOER, Objekt Chara von Kris Lemsaku Estonia, mit Mag Offergeld KOER, Wie so oft in der künstlerischen Praxis von Kris Lemsalu beginnt die Geschichte eines Kunstwerks in der Sphäre der Freundschaft: Vor etwa zehn Jahren fand eine Freundin der Künstlerin auf einem Waldspaziergang in Estland den Kiefer eines Rentiers und brachte ihn ihr als Geschenk von ihrem Ausflug mit. Aus dem Spiel mit der Form des Kiefers entstand zuerst das Bild eines Herzens, einer Vagina, eines Portals. Kris Lemsalu fertigte eine Gipsform an, goss die Kieferknochen in Porzellan ab, versah sie mit einer Strumpfhose und gestaltete daraus die Arbeit mit dem Titel Aldonza Lorenzo (Abb. 4). Dies ist bekanntlich der wahre Name von Dulcinea, der imaginären Geliebten des Don Quijote, die in Wirklichkeit – und um Wirklichkeit geht es ja in diesem Roman – Haare auf den Zähnen und eine alles durchdringende Stimme hat. Später stieß Lemsalu in einem Buch auf die mythologische Gestalt der Baubo, die in der griechischen Sagenwelt als eine Art weibliche Hofnärrin die Göttin Demeter aufheitern will, welche um ihre Tochter Persephone trauert. Die Scherze der Baubo sind obszön und absurd, einer davon ist das Entblößen der Vulva. Aus dieser Erzählung entwickelte Lemsalu schließlich die Skulptur Baubo Dance (Abb. 5), in der wieder die Rentierkiefer zum Einsatz kommen, diesmal deutlicher als Vulva konnotiert. Nun aber verknüpfte sie das weibliche närrische Element mit einem rituellen Hexentanz um eine Feuerstelle und inszenierte die Kiefer als Vagina dentata (bezahnte Vagina), wie sie in zahlreichen folkloristischen Überlieferungen auf allen Kontinenten immer wieder auftaucht. In der Moderne wurde das Bild zwar von Sigmund Freud als Ausdruck von Kastrationsangst gedeutet, jedoch referiert Lemsalu auf ältere indigene Leseweisen wie die amuletthafte Warnung vor Vergewaltigung oder unstatthafter sexueller Annäherung. Dass die Rentierkiefer nun ein drittes Malhttps://inartberlin.com/wp-content/uploads/2023/08/whatsapp-bild-2023-08-17-um-14.12.52-1.jpgwhatsapp-bild-2023-08-17-um-14.12.52-12023-08-19T15:49:49+00:00monthlyhttps://inartberlin.com/2023/08/10/the-friendly-allien-in-graz/https://inartberlin.com/wp-content/uploads/2023/08/kunsthaus-graz-frank-10.jpgKunsthaus Graz02.08.2023, Austria, Steiermark, Graz, Kunsthaus Graz, eroeffnet 2003 , ©Frank Ossenbrink, mediagroupberlin GmbH mobil 00491724006505 , politikfoto@hotmail.com , www.politikfoto.de, Bankverbindung: Frank Ossenbrink IBAN: DE 77 70017000 9400427530 BIC: PAGMDEM1 PayCenter Bank Steuernummer VAT 37 239/21622 Finanzamt Berlin, EUID 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Innenstadt Kunst01.08.2023, Austria, Wien, Oskar Wagner Villa, , Huetteldorf, Museum Ernst Fuchs Maler, ©Frank Ossenbrink, mediagroupberlin GmbH mobil 00491724006505 , politikfoto@hotmail.com , www.politikfoto.de, Bankverbindung: Frank Ossenbrink IBAN: DE 77 70017000 9400427530 BIC: PAGMDEM1 PayCenter Bank Steuernummer VAT 37 239/21622 Finanzamt Berlin, EUID 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